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Arri
Ed Lachman, ASC on "El Conde" – Shot on ARRI Rental's New ALEXA Monochrome Cameras | CineD
Arri Alexa - Wikipedia
Destination Film: Roma in 70mm
ROMA and the Look of Large Format - Film and Digital TimesFilm and Digital Times
Monochrome Cinema Cameras: A New Trend of B&W Cinematography? - YMCinema - News & Insights on Digital Cinema
Alexa 65 Camera – Leonard Maltin's Movie Crazy
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Monochrome Cinema Cameras: A New Trend of B&W Cinematography? - YMCinema - News & Insights on Digital Cinema
Alfonso Cuarón's Black-and-White 'Roma' Was a Cinematic Master Stroke – IndieWire
The ARRI ALEXA is 10 years old - Newsshooter
Ed Lachman, ASC on "El Conde" – Shot on ARRI Rental's New ALEXA Monochrome Cameras | CineD
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ALEXA 65: Inspiring Cinematographers on Vimeo
How Large Format Cameras Like ARRI Alexa 65 Are Changing Film Language – IndieWire
Alfonso Cuarón's Black-and-White 'Roma' Was a Cinematic Master Stroke – IndieWire
Director Alfonso Cuaron Also Served as Cinematographer on 'Roma' - Variety
Alfonso Cuarón on shooting ROMA with ALEXA 65 on Vimeo
How Large Format Cameras Like ARRI Alexa 65 Are Changing Film Language – IndieWire
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Arri Alexa - Wikipedia
The ARRI ALEXA is 10 years old - Newsshooter
Mr. Cinematography - "Roma" (2018) Cinematography by Alfonso Cuaron . Camera & Lens: ARRI ALEXA 65, Prime 65 Lenses . Aspect Ratio: 2.11 : 1 (original ratio) 2.20 : 1 (70mm) 2.39 :
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The Cinematography of 'Roma'
